《查拉图斯特拉如是说·第四部》第45节

查拉图斯特拉如是说 · 第5部 · 第45节

Thus spake the old magician, looked cunningly about him, and then seized his harp. In evening’s limpid air, What time the dew’s soothings Unto the earth downpour, Invisibly and unheard— For tender shoe-gear wear The soothing dews, like all that’s kind-gentle—: Bethinkst thou then, bethinkst thou, burning heart, How once thou thirstedest For heaven’s kindly teardrops and dew’s down-droppings, All singed and weary thirstedest, What time on yellow grass-pathways Wicked, occidental sunny glances Through sombre trees about thee sported, Blindingly sunny glow-glances, gladly-hurting? “Of TRUTH the wooer? Thou?”—so taunted they— “Nay! Merely poet! A brute insidious, plundering, grovelling, That aye must lie, That wittingly, wilfully, aye must lie: For booty lusting, Motley masked, Self-hidden, shrouded, Himself his booty— HE—of truth the wooer? Nay! Mere fool! Mere poet! Just motley speaking, From mask of fool confusedly shouting, Circumambling on fabricated word-bridges, On motley rainbow-arches, ‘Twixt the spurious heavenly, And spurious earthly, Round us roving, round us soaring,— MERE FOOL! MERE POET! HE—of truth the wooer? Not still, stiff, smooth and cold, Become an image, A godlike statue, Set up in front of temples, As a God’s own door-guard: Nay! hostile to all such truthfulness-statues, In every desert homelier than at temples, With cattish wantonness, Through every window leaping Quickly into chances, Every wild forest a-sniffing, Greedily-longingly, sniffing, That thou, in wild forests, ’Mong the motley-speckled fierce creatures, Shouldest rove, sinful-sound and fine-coloured, With longing lips smacking, Blessedly mocking, blessedly hellish, blessedly bloodthirsty, Robbing, skulking, lying—roving:— Or unto eagles like which fixedly, Long adown the precipice look, Adown THEIR precipice:— Oh, how they whirl down now, Thereunder, therein, To ever deeper profoundness whirling!— Then, Sudden, With aim aright, With quivering flight, On LAMBKINS pouncing, Headlong down, sore-hungry, For lambkins longing, Fierce ’gainst all lamb-spirits, Furious-fierce ’gainst all that look Sheeplike, or lambeyed, or crisp-woolly, —Grey, with lambsheep kindliness! Even thus, Eaglelike, pantherlike, Are the poet’s desires, Are THINE OWN desires ‘neath a thousand guises, Thou fool! Thou poet! Thou who all mankind viewedst— So God, as sheep—: The God TO REND within mankind, As the sheep in mankind, And in rending LAUGHING— THAT, THAT is thine own blessedness! Of a panther and eagle—blessedness! Of a poet and fool—the blessedness!— In evening’s limpid air, What time the moon’s sickle, Green, ‘twixt the purple-glowings, And jealous, steal’th forth: —Of day the foe, With every step in secret, The rosy garland-hammocks Downsickling, till they’ve sunken Down nightwards, faded, downsunken:— Thus had I sunken one day From mine own truth-insanity, From mine own fervid day-longings, Of day aweary, sick of sunshine, —Sunk downwards, evenwards, shadowwards: By one sole trueness All scorched and thirsty: —Bethinkst thou still, bethinkst thou, burning heart, How then thou thirstedest?— THAT I SHOULD BANNED BE FROM ALL THE TRUENESS! MERE FOOL! MERE POET!

注释摘要

老魔术师在查拉图斯特拉暂时离开洞穴、去外面呼吸新鲜空气的间隙,抓住这个时机,对在座的“高等人”吟唱了这首《忧郁之歌》。他自称被“忧郁的魔鬼”所驱使,要在这黄昏时刻展露出某个“不知是男是女”的精灵的面目。于是,他拨动竖琴,唱出了这段关于诗人灵魂的剖白。 这首诗歌的核心是一个自我辩驳的过程。歌唱者回忆自己在黄昏的柔和空气中、在露水无声滋润大地之时,那颗“燃烧的…