《忏悔录·卷五·尚贝里：华伦夫人的家》第24节
Though this mischance had rather dampened my musical ardor, I did not leave off studying my Rameau, and, by repeated efforts, was at length able to understand it, and to make some little attempts at composition, the success of which encouraged me to proceed. The Count de Bellegarde, son of the Marquis of Antremont, had returned from Dresden after the death of King Augustus. Having long resided at Paris, he was fond of music, and particularly that of Rameau. His brother, the Count of Nangis, played on the violin; the Countess la Tour, their sister, sung tolerably: this rendered music the fashion at Chambery, and a kind of public concert was established there, the direction of which was at first designed for me, but they soon discovered I was not competent to the undertaking, and it was otherwise arranged. Notwithstanding this, I continued writing a number of little pieces, in my own way, and, among others, a cantata, which gained great approbation; it could not, indeed, be called a finished piece, but the airs were written in a style of novelty, and produced a good effect, which was not expected from me. These gentlemen could not believe that, reading music so indifferently, it was possible I should compose any that was passable, and made no doubt that I had taken to myself the credit of some other person's labors. Monsieur de Nangis, wishing to be assured of this, called on me one morning with a cantata of Clerambault's which he had transposed as he said, to suit his voice, and to which another bass was necessary, the transposition having rendered that of Clerambault impracticable. I answered, it required considerable labor, and could not be done on the spot. Being convinced I only sought an excuse, he pressed me to write at least the bass to a recitative: I did so, not well, doubtless, because to attempt anything with success I must have both time and freedom, but I did it at least according to rule, and he being present, could not doubt but I understood the elements of composition. I did not, therefore, lose my scholars, though it hurt my pride that there should be a concert at Chambery in which I was not necessary. About this time, peace being concluded, the French army repassed the Alps. Several officers came to visit Madam de Warens, and among others the Count de Lautrec, Colonel of the regiment of Orleans, since Plenipotentiary of Geneva, and afterwards Marshal of France, to whom she presented me. On her recommendation, he appeared to interest himself greatly in my behalf, promising a great deal, which he never remembered till the last year of his life, when I no longer stood in need of his assistance. The young Marquis of Sennecterre, whose father was then ambassador at Turin, passed through Chambery at the same time, and dined one day at M. de Menthon's, when I happened to be among the guests. After dinner; the discourse turned on music, which the marquis understood extremely well. The opera of 'Jephtha' was then new; he mentioned this piece, it was brought him, and he made me tremble by proposing to execute it between us. He opened the book at that celebrated double chorus,
注释摘要
这段文字写的是卢梭放弃土地登记处的工作、全心投入音乐之后的一段经历。他此时大约二十二三岁，身在尚贝里，刚刚经历了赴贝藏松求学未果、行李被扣的挫折，回到华伦夫人身边，决心不再为未来焦虑，专心与她分享命运。行李被没收一事稍稍挫伤了他学音乐的热忱，但他并没有放下拉莫的和声学著作。反复研读之后，他终于读懂了这部难啃的巨著，开始尝试作曲，并且获得了一些初步的成功，这…