《忏悔录·卷五·尚贝里：华伦夫人的家》第6节
While we were fighting in Italy, they were singing in France: the operas of Rameau began to make a noise there, and once more raise the credit of his theoretic works, which, from their obscurity, were within the compass of very few understandings. By chance I heard of his 'Treatise on Harmony', and had no rest till I purchased it. By another chance I fell sick; my illness was inflammatory, short and violent, but my convalescence was tedious, for I was unable to go abroad for a whole month. During this time I eagerly ran over my Treatise on Harmony, but it was so long, so diffuse, and so badly disposed, that I found it would require a considerable time to unravel it: accordingly I suspended my inclination, and recreated my sight with music. The cantatas of Bernier were what I principally exercised myself with. These were never out of my mind; I learned four or five by heart, and among the rest, 'The Sleeping Cupids', which I have never seen since that time, though I still retain it almost entirely; as well as 'Cupid Stung by a Bee', a very pretty cantata by Clerambault, which I learned about the same time. To complete me, there arrived a young organist from Valdoste, called the Abbe Palais, a good musician and an agreeable companion, who performed very well on the harpsichord; I got acquainted with him, and we soon became inseparable. He had been brought up by an Italian monk, who was a capital organist. He explained to me his principles of music, which I compared with Rameau; my head was filled with accompaniments, concords and harmony, but as it was necessary to accustom the ear to all this, I proposed to Madam de Warens having a little concert once a month, to which she consented. Behold me then so full of this concert, that night or day I could think of nothing else, and it actually employed a great part of my time to select the music, assemble the musicians, look to the instruments, and write out the several parts. Madam de Warens sang; Father Cato (whom I have before mentioned, and shall have occasion to speak of again) sang likewise; a dancing-master named Roche, and his son, played on the violin; Canavas, a Piedmontese musician (who was employed like myself in the survey, and has since married at Paris), played on the violoncello; the Abbe Palais performed on the harpsichord, and I had the honor to conduct the whole. It may be supposed all this was charming; I cannot say it equalled my concert at Monsieur de Tretoren's, but certainly it was not far behind it. This little concert, given by Madam de Warens, the new convert, who lived (it was expressed) on the king's charity, made the whole tribe of devotees murmur, but was a very agreeable amusement to several worthy people, at the head of whom it would not be easily surmised that I should place a monk; yet, though a monk, a man of considerable merit, and even of a very amiable disposition, whose subsequent misfortunes gave me the most lively concern, and whose idea, attached to that of my happy days, is yet dear to my memory. I speak of Father Cato, a Cordelier, who, in conjunction with the Count d'Ortan, had caused the music of poor Le Maitre to be seized at Lyons; which action was far from being the brightest trait in his history. He was a Bachelor of Sorbonne, had lived long in Paris among the great world, and was particularly caressed by the Marquis d'Antremont, then Ambassador from Sardinia. He was tall and well made; full faced, with very fine eyes, and black hair, which formed natural curls on each side of his forehead. His manner was at once noble, open, and modest; he presented himself with ease and good manners, having neither the hypocritical nor impudent behavior of a monk, or the forward assurance of a fashionable coxcomb, but the manners of a well-bred man, who, without blushing for his habit, set a value on himself, and ever felt in his proper situation when in good company. Though Father Cato was not deeply studied for a doctor, he was much so for a man of the world, and not being compelled to show his talents, he brought them forward so advantageously that they appeared greater than they really were. Having lived much in the world, he had rather attached himself to agreeable acquirements than to solid learning; had sense, made verses, spoke well, sang better, and aided his good voice by playing on the organ and harpsichord. So many pleasing qualities were not necessary to make his company sought after, and, accordingly, it was very much so, but this did not make him neglect the duties of his function: he was chosen (in spite of his jealous competitors) Definitor of his Province, or, according to them, one of the greatest pillars of their order.
注释摘要
这一节卢梭记述了他在尚贝里时期音乐学习的一段经历，当时他大约二十一岁，正为撒丁国王做土地登记的工作。整段文字从战争与时事的对比切入——意大利方向正在打仗，法国却在唱歌——拉莫的歌剧正在巴黎引起轰动，连带使他那些艰深难懂的理论著作重新获得关注。拉莫的和声理论在当时被认为晦涩，能读懂的人极少，卢梭偏偏听说了他那部《和声学》，便非买到手不可。恰在此时他生了场炎症…